wxsstudioOctober 4, 2024 Dalla terra alla città: cinema, politica e censura nella Cina del XXI secolo
wxsstudioFebruary 16, 2024 Wang Xiaoshuai Risks China’s Wrath With ‘Above the Dust’ Screening in Berlin (EXCLUSIVE)
wxsstudioFebruary 16, 2024 ‘Above the Dust’ Uses a Child’s Voice to Explain Complexity of 20th Century Chinese History, Says Wang Xiaoshuai
Wang Xiaoshuai Risks China’s Wrath With ‘Above the Dust’ Screening in Berlin (EXCLUSIVE) February 16, 2024
‘Above the Dust’ Uses a Child’s Voice to Explain Complexity of 20th Century Chinese History, Says Wang Xiaoshuai February 16, 2024
【影评】Berlinale 2019 roundup – from bad to wurst February 16, 2019 Traditionally, the Berlinale is a worthy if unspectacular film festival, but this year’s offerings largely range…
【影评】作为一部观念电影的《日照重庆》 February 14, 2012 【摘 要】 电影 《日照重庆》 在叙事结构上,采用了虚实交织对比的叙事结构,“父亲” 与 “儿子” 两代人的对 比、“儿子”林波与 “儿子”林小波的对比、重庆与日照两个城市的对比,多组交织对比使作品在虚实对照的影…
【影评】从“命运缩影”走向“社会大相”——从《左右》、《日照重庆》浅谈王小帅作品的新变化On the New Variation of Wang Xiaoshuai’s Movies October 14, 2010 提要: 从《冬春的日子》(1993)到《日照重庆》(2010),王小帅的电影生涯走过了升沉起落的十八载, 在长期的艺术探索中,其镜头始终对准的是“人”,并且努力反映不同人群的生活状态。随着自身电影…