wxsstudioOctober 4, 2024 Dalla terra alla città: cinema, politica e censura nella Cina del XXI secolo
wxsstudioFebruary 16, 2024 Wang Xiaoshuai Risks China’s Wrath With ‘Above the Dust’ Screening in Berlin (EXCLUSIVE)
wxsstudioFebruary 16, 2024 ‘Above the Dust’ Uses a Child’s Voice to Explain Complexity of 20th Century Chinese History, Says Wang Xiaoshuai
Wang Xiaoshuai Risks China’s Wrath With ‘Above the Dust’ Screening in Berlin (EXCLUSIVE) February 16, 2024
‘Above the Dust’ Uses a Child’s Voice to Explain Complexity of 20th Century Chinese History, Says Wang Xiaoshuai February 16, 2024
【影评】Ghostly Haunting and Moral Interrogation in Wang Xiaoshuai’s ‘Red Amnesia’王小帅影片《闯入者》中的幽灵萦绕与道德拷问 October 14, 2014 Yanjie Wang Wang Xiaoshuai has often been recognized for his gritty, deeply affecting dramas about the life of…
【影评】王小帅电影主题曲特征中的身份寻求与认同 October 11, 2013 【摘要】 “第六代”导演登台后,带来了一种迥异于前人的创作方式。王小帅 的电影在一个宏大的主题特征下,以自己的个人经验书写着对电影中人物身份 的寻求以及认同,从中透露出一类人的窘迫和散漫状态下生命的艰辛。 【关键词】 王小帅…
【影评】《我11》:荒诞时代中的虚妄集体主义 June 26, 2012 或许,对于经历过文革的那一代人来说,这是一段永远无法抹去的记忆,尤其是对于那时还处在青年甚至少年期的人,过早地感受到了人与人之间的各种能想像到的冰冷与残酷。作为第六代中坚导演王小帅就是这样一个恰逢文革之年出生的人,文革占据了…
【影评】《日照重庆》 荒诞的叛逆青春 October 14, 2010 王小帅导演曾经说过:“如果《日照重庆》再不赚钱,他从此将不再拍电影。” 这部转型之作也预示着王小帅的影片将不会再在商业和文艺之间漂浮不定。或许“国际范” 在片中的台词与气氛略显突兀,但这丝毫不影响…