wxsstudio.com

【影评】Wang Xiaoshuai’s ‘Chinese Portrait’ Snapped for U.S. Release

By PATRICK FRATER 

Asia Bureau Chief

VARIETY

FEBRUARY 28, 2019

CREDIT: COURTESY OF CHINESE SHADOWS

“Chinese Portrait,” the unusual 2018 film by Wang Xiaoshuai, has been picked up for Stateside release by indie outfit Cinema Guild. The picture will have its North American Premiere at Doc Fortnight, MoMA’s annual international festival of nonfiction film, and move into commercial release later this year.

Wang’s most recent picture, “So Long, My Son,” a critique of China’s now-abandoned one child policy, played in competition this month at the Berlin Film Festival, where it won acting awards for its male and female leads. On the strength of that, Wang is currently in high demand. He recently signed a two-pictures deal with Huanxi Media.

“Chinese Portrait” is brings together the style of documentary, painting and photography, with a mixture of moving and still images. It premiered in Busan last year and recently played in documentary festival IDFA in Amsterdam.

It was produced by Isabelle Glachant at Beijing-based Chinese Shadows and Liu Xuan from Front Films, with the support of Swiss fund Vision Sud Est. Sister company, Asian Shadows is handling international sales on the picture and also recently licensed it to Trigon-Film for release in Switzerland.

“With ‘Chinese Portrait,’ Wang Xiaoshuai transcends language to present a compelling picture of the China he knows, a China that is rapidly changing. We can’t wait for audiences in the U.S. to see this visually stunning and intensely personal film” saidCinema Guild director of distribution Peter Kelly, who negotiated the deal with Asian Shadows head of sales, Maria Ruggieri.

“Portrait” is also expected to play at the True/False Film festival, in Columbia, Missouri, in early March. Wang will attend both events.

Share this article
Shareable URL
Prev Post

【影评】The Best of Berlinale 2019

Next Post

Q&A: Veteran Filmmaker Wang Xiaoshuai talks human relationships

Leave a Reply

Your email address will not be published. Required fields are marked *

Read next

【影评】王小帅《我11》:压抑时代的童年往事

在“超级观影”的第二期,我们选择了王小帅导演的新片《我11》。这部以儿童视角讲述文革最后一年的电影,5月18日上映后面对中外大片残酷竞争,首周末只取得300万票房。5月22日晚的观影到23点15分才结束,但依旧有30多位观众…

【影评】《青红》: 东方主义的东方变异

[摘 要] 在好莱坞电影中, “西方男人” — “华人女性” 常作为一个性恋故事的模式构架, 以此表述对东方的 “拯救” 和 “征服”。第五代电影中也出现以奇异的民俗题材为策略将中国表述为一个异质于并滞后于西方的东方 社会…

【影评】综艺评《日照重庆》:哀伤的救赎之旅

无法挽回的父子关系,钢筋水泥森林里的冰冷情感,王小帅的新作《日照重庆》将我们引入了深深的思考之中,正如他以前的作品。王小帅用摄像机记录了一个失落的父亲去追寻自己未曾谋面的儿子生前点滴的旅程,而旅途中一段段的闪回更是让电影显得…