wxsstudioOctober 4, 2024 Dalla terra alla città: cinema, politica e censura nella Cina del XXI secolo
wxsstudioFebruary 16, 2024 Wang Xiaoshuai Risks China’s Wrath With ‘Above the Dust’ Screening in Berlin (EXCLUSIVE)
wxsstudioFebruary 16, 2024 ‘Above the Dust’ Uses a Child’s Voice to Explain Complexity of 20th Century Chinese History, Says Wang Xiaoshuai
Wang Xiaoshuai Risks China’s Wrath With ‘Above the Dust’ Screening in Berlin (EXCLUSIVE) February 16, 2024
‘Above the Dust’ Uses a Child’s Voice to Explain Complexity of 20th Century Chinese History, Says Wang Xiaoshuai February 16, 2024
【影评】论王小帅电影镜头语言风格之转变( 下) June 5, 2013 文/杜娟 周志强 镜头运动与剪辑 笔者认为,长镜头的大量使用和含蓄蕴藉的镜头风格是王小帅的显著特点。正如戴锦华在《电影批评》中所言:…
【影评】历史的幽灵 May 7, 2012 可以想见,文革题材会是未来中国电影的一大题材类型,然而在现在情形下,拍摄这一题材实在难以施展,创作者无法放开手脚。《我11》的切入点比较简单,大多数事情来自一个11岁小孩的目光所见。你可以说他看到了,也可以说他并不理解,懵懵…
【影评】《日照重庆》:沉重的救赎之路 October 14, 2010 电影《日照重庆》讲述了一桩发生在重庆 的少年犯罪案。被家庭忽视、被父亲抛弃的少 年因抢劫而被警方击毙,随后揪出少年背后那 个不负责任的父亲,身为船长的他常年漂泊海上,久而久之与妻儿感情疏淡,最终抛妻弃子,…